17th September
[I]t is the moment of reversal, when ill fortunes change to good, that is the essential of escape fiction; and a good half of the plot mechanics of this sort of thing consist simply in setting up a situation, that shall not be too obviously preposterous[.]
Katherine Whitehorn, 'Just You Wait, 'Enery 'Iggins' (1960), in Only On Sundays (1966)
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